On the surface, I appear to be a law-abiding, sensible person, willing to listen to reason and unwilling to rock boats. Stability and comfort – that’s my creed.
But underneath my mild-mannered exterior lurks the heart of a rebel. Tell me a rule of writing and I immediately want to break it, particularly the “rules” of writing romance. Obviously, everyone’s opinion varies, but here are some of the rules I’ve heard with some thoughts on each.
The hero and heroine have to meet in the first chapter.
Who says? Think Gone with the Wind, think Pride and Prejudice, think most Jennifer Crusie novels. Some of the best romances ever written don’t follow this one. If you need a visual example of delayed gratification in the hero-heroine hook-up, go watch Sleepless in Seattle – Tom Hanks and Meg Ryan never talk until the last scene (or does she say “hi” when he says “hello”? I can’t remember.) It depends on the trajectory of your story when they should meet.
You can’t have an unlikable hero or heroine.
One of my favorite romance novels is Ain’t She Sweet? by Susan Elizabeth Phillips. And, by the way, the answer to that question is: no, she ain’t sweet. But SEP does a fantastic job of making the unlikable characters – there turn out to be several of them – completely understandable. In the process, she illuminates a human truth too often left out of romances – we are all flawed and unlikable at times. We can still be, to paraphrase Dickens, the heroes of our own stories.
Multiple points of view are bad, bad, bad.
I’ve never heard a pure reader of romance who’s had a problem with POV per se. The only people I’ve ever heard complain about multiple POVs in any form are other writers. Some have said it’s pure laziness to not limit your viewpoint. My theory is this: POV can come in just about any form. You can write badly in third person limited or first person or omniscient. You can write beautifully in each of those also. How well you write will tell if you can pull it off or not.
In the end, for me, the key is to write well and write for your reader. If you can create an engaging, gripping, absorbing, and entertaining novel using pig latin, then more power to you. There are no rules, except this: write for your reader.
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